SHIBUI SWORDS
LIBRARY


Classic Japanese Novels


 

Note on Care of Books:
With books, one mar or fingerprint to the ink of the text or pictures - one crease or crush to a page - any difference from new, creates value loss and permanently sets the book back. It is overt damage.
Anyone having reference or collector books, antique book collectors or curators, all have the same, expected and specific method of handling books.
If you have any questions or wish to purchase any book, please contact me at E-mail.


THE TALE OF GENJI
by Lady Murasaki, 1935, $40.00.

Translated from the Japanese by Arthur Waley.
In the early eleventh century Murasaki Shikibu, a lady in the Heian court of Japan, wrote what many consider to be the world’s first novel, more than three centuries before Chaucer. The Heian era (794—1185) is recognized as one of the very greatest periods in Japanese literature, and The Tale of Genji is not only the unquestioned prose masterpiece of that period but also the most lively and absorbing account we have of the intricate, exquisite, highly ordered court culture that made such a masterpiece possible.
Genji is the favorite son of the emperor but also a man of dangerously passionate impulses. In his highly refined world, where every flirtation is an act of political consequence, his shifting alliances and secret love affairs create great turmoil and very nearly destroy him.
In good condition, 743 pages, 5 1/2" x 8 1/4", hardcover with slipcase

THE TALE OF GENJI by Murasaki Shikibu
Third Printing 1st edition 1977, $70.00.
Translated by Edward G. Seidensticker, published by Alfred A. Knopf, New York.

The Tale of Genji was written in the eleventh century by Murasaki Shikibu, a lady of the Heian court. It is universally recognized as the greatest masterpiece of Japanese prose narrative, perhaps the earliest true novel in the history of the world. Until now there has been no translation that is both complete and scrupulously faithful to the original text. Edward Seidensticker’s translation of Lady Murasaki’s splendid romance has been honored throughout the English-speaking world for its fluency, scholarly depth, and deep literary tact and sensitivity. It is illustrated throughout by woodcuts taken from a 1650 Japanese edition of The Tale of Genji.
The classical novel of court life in tenth and eleventh-century Japan centers on the life and loves of a nobleman known as the shining Genji, son of an emperor, and those of Kaoru, grandson of Genji's best friend.
In near-fine condition, 1st and 2nd books 1090 pages, 6 1/4" x 9 1/4" hardcovers with slipcase

THE LAST SHOGUN
The Life of Tokugawa Yoshinobu
by Ryotaro Shiba, Translated by Juliet Winters Carpenter
1st edition 1998, $30.00.

In Ryotaro Shiba's account of the life of Japan's last shogun, Perry's arrival off the coast of Japan was merely the spark that ignited the cataclysm in store for the Japanese people and their governments. It came to its real climax with the fall of the Tokugawa shogunate in 1868, the event which forms the centerpiece of this book. The Meiji Restoration-as history calls it-toppled the shogunate, and brought a seventeen-year-old boy emperor back from the secluded Imperial Palace in Kyoto to preside over what amounted to a political and cultural revolution. With this, Japan's extraordinary self-modernization began in earnest. Coming to power just as the Tokugawa regime was suffering the worst military defeat in its history, Yoshinobu strongly suspected that the rule of the Tokugawas-the third and longest lived of Japan's three warrior governments - was swiftly becoming an anachronism. During a year of frenetic activity, he overhauled the military systems, reorganized the civil administration, promoted industrial development, and expanded foreign intercourse, with the farsighted aim of creating a unified Japan. Alarmed by these reforms, pro-imperial interests moved against him, precipitating the Boshin Civil War and the final defeat of the shogunal armies. To the surprise of his enemies, Yoshinobu capitulated. It was this surrender of authority at a crucial point that made the transfer of sovereignty relatively peaceful. He then retired to Mito and lived quietly for the rest of his life, studying the new art of photography. Ennobled a prince in the new European-style nobility of the Meiji era, he died in 1913.
In very good condition, 256 pages, 5 1/2" x 8 1/4", hardcover with clear plastic sleeve

MEMOIRS OF A GEISHA
by Arthur Golden, Seventeenth Printing, $30.00.

A literary sensation and runaway bestseller, this brilliant debut novel tells with seamless authenticity and exquisite lyricism the true confessions of one of Japan's most celebrated geisha. Speaking to us with the wisdom of age and in a voice at once haunting and startlingly immediate, Nitta Sayuri tells the story of her life as a geisha. It begins in a poor fishing village in 1929, when, as a nine-year-old girl with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. We witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup, and hair; pouring sake to reveal just a touch of inner wrist; competing with a jealous rival for men's solicitude and the money that goes with it. In Memoirs of a Geisha, we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. It is a unique and triumphant work of fiction—at once romantic, erotic, suspenseful—and completely unforgettable.
1st ed/1st prtg (Stated First edition w/ no additional printings listed) of , book is VG+ w/ a slight lean and wear to spine crown/heel. Else, nice, tight and clean w/ no interior markings. Original price of $25.00 intact.

In very good condition, 437 pages, 6 3/4" x 9 1/2", hardcover with dustjacket

A MURAMASA BLADE
A Story of Feudalism in Old Japan
by Louis Wertheimber (1887).      NOT FOR SALE

The rarest book and possibly one of the first in English on this subject. Covers the great Muramasa swordsmith, his life, works, and history. Nicely illustrated with Japanese etchings on copper and relief (wood) engravings after Japanese originals.

This story is an original tale of Old Japan, written almost from a Japanese point of view. It might be translated into that language ; and, rendered in book form or told on a street corner by one of the itinerant story-tellers, the reader or listener would think it to accord fully with the traditions of the period in which it is supposed to have been enacted. Whether such a treatment will meet with approval here, it remains for the public to say. I have adhered to it against the advice of several eminent literary friends, to bring the story more into accord with our canons of style and construction. From the standpoint of a Japanese, none of the incidents or situations are in the slightest degree strained or exaggerated, and none of the characters overdrawn. All the historical allusions are strictly true and authentic, — as far as present knowledge on the subject goes, — and have been carefully and painstakingly culled from native chronicles.
In 'excellant' condition (120+ years old), 188 pages, 7 1/2" x 10 1/4" hardcover w/clear cover

A NET OF FIREFLIES
Japanese Haiku and Haiku Paintings
First Edition (1960) $90.00.
Translated by Harold Stewart

This beautiful volume is an anthology of 320 Haiku. They were written over a span of five centuries by many of Japan's foremost poets. The book itself, which is in very fine condition is a remarkable achievement. There are 33 paintings in the book that are reproduced in full color. These swiftly brushed sketches, seldom seen outside Japan until this publication, are an important facet of Haiku. There is a deeply perceptive essay at the end of the book in which the translator explores the furthest reaches of Haiku with an eye to its metaphysical implications. This book's slipcase does show age related wear and rubbing but it has done a wonderful job of keeping the book itself in perfect condition. Each page of the textblock is a double page in that it is connected to the following page at its outside edge.
First Edition, 180 pages, 5 3/8" x 7 7/8", Finely constructed hardcover with slipcase

 

If you have any questions or wish to purchase any book, please contact me at E-mail.