| Ubu Shimada Soshu Dambira |
|
Early Billowing Soshu Yakiba |

Genroku Higo Mounts with Edo period fittings
This piece sat in it's very
fine old Genroku era Higo Saya until the mounting was rebuilt. |
NOTE: The central Kaji of this time was Tsunahiro of the Yamamura Ke.
There were a number of Kaji of the Shimada Ke of Suruga who moved to Odawara.
As for the smiths of the Shimada Ke, they established marital relationships or teacher/pupil relationships
with the Tsunahiro Ke, and there were deep relationships among the Soshu Kaji of this time.
| Shimada at the beginning. This is an
Ubu Soshu master work that has been polished down over the years. Once a strong, thick Dambira, the Bungi-era Horimono now all gone. Still the piece retains its full validity as a weapon. Correct Sugata, Nakago, Horimono, steel, and intricate Soshu Billowing Yakiba tells us this is the very beginning of the school, at the time of Muramasa, and therefore the work of the Shimada founding master, Yoshisuke. Yoshisuke was a smith in his prime around Kosho (1455-1457). The family of the Shimada Kaji, a considerably large number of smiths, were quite technically skilled. This technical excellance would satisfy the collectors who prize and study swords. This piece infers the higher ranked kaji of the Soshu Den, and at first glance looks like a work of Masamune. |
Nagasa: 14 1/4" |
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Higo
carved Tsuno Horn Kurikata and leather wrap
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Good Heianjo Tetsu-ji
Tsuba of Kiku Design ![]() |
| Iron Kozuka with dragon design and Kogatana |
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Profuse Mura-Nie and Ji-nie |



NBTHK Hozon paper attributing to the Shimada school.
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